Latest Articles: Designers

TRENT SUIDGEEST’s lighting in First Love is a Revolution

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MARIOT KERR and ANNIE BEAUCHAMP nominated for APDG Awards

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WESLEY ENOCH’s BETTY BLOKK BUSTER with an HLA all-star creative team

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Malmo Opera’s BEAUTY AND THE BEAST with production design by DAN POTRA

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JAMES BROWNE’s production design on THE SELFISH GIANT

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Natives Go Wild with costumes by TIM CHAPPEL

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Great reviews for THE ENCHANTED PIG directed by GALE EDWARDS, with costumes by TIM CHAPPEL

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Applications for the Kristian Fredrikson Scholarship are now open!

The successful Applicant will be chosen on the basis of a demonstrable history of outstanding achievements and commitment to their profession; originality, creativity, technical and interpretative skills and the viability of their study plan. Applicants will be required to: have completed five professional live stage productions or have demonstrated a proven record of professional activity over at least 3 years; submit a detailed curriculum vitae, examples of work on CD including 2 costume drawings or set concept renderings where applicable, ...
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The Secret River opens at the Edinburgh Festival!

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Shakespeare in Love

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Congratulations Gabriela!

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Shakespeare in Love

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You’re terrible Muriel!

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Things I Know to Be True @ Belvoir

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Helpmann Award Nominations Announced!

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Congratulations Peter England!

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Tony McNamara and Fiona Crombie win at the BAFTA’s!

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First look at I AM WOMAN

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HLA now represents Damir Peranovic

HLA Management Pty Ltd now represents AACTA winning costume designer Damir Peranovic. Damir is a Sydney-based costume designer who has most recently completed costume designs on the upcoming FIGHTING SEASON, directed by Kate Woods for Foxtel. https://www.damirperanovic.com/
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Muriel’s Wedding the Musical: A resounding hit

Congratulations to the Muriel’s Wedding: the Musical team. After opening night this Saturday the reviews are flooding in. Here are just some of the terrific responses: “Muriel’s Wedding feels like the complete package: a beloved film seamlessly updated; a central character who retains all the ambiguities that made you root for her in the first place; a conspicuously inventive score peppered with classic pop hits, and a mainstage debut that will be talked about for years.” SMH “Director Simon Phillips has the ...
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AACTA’s Announced

Congratulations to all nominees for the upcoming AACTA’s, especially to all the HLA clients for their exceptionally good work: BEST TELEVISION DRAMA SERIES TOP OF THE LAKE: CHINA GIRL BEST DIRECTION IN A TELEVISION DRAMA OR COMEDY TOP OF THE LAKE: CHINA GIRL Episode 5 – Who’s Your Daddy? Jane Campion; SEVEN TYPES OF AMBIGUITY Episode 2 – Alex, Glendyn Ivin  BEST CINEMATOGRAPHY IN TELEVISION TOP OF THE LAKE: CHINA GIRL Episode 5 – Who’s Your Daddy?, Germain McMicking BEST PRODUCTION ...
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Elephant Man review: A poetic and accomplished.

The Real and Imagined History of the Elephant Man, a new Australian adaptation the story of Joseph Merrick’s life opened last night at the Malthouse in Melbourne. Today the first of many spellbound reviewers have summarised their night in the theatre: “Merrick’s life can often seem more about us than him, and Tom Wright’s brilliant, lyrical reimagining, breathtakingly directed by Matt Lutton, finds a fresh centre of balance…Marg Horwell’s design and costume and Paul Jackson’s painterly lighting, together create an ...
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Assassins Announced

Designer Alicia Clements as been working away at the Hayes Theatre (Sydney) to realise the set and costumes for Stephen Sondheim’s Assassins.  Directed by Melbourne Theatre Company associate director Dean Bryant, the full cast has now been announced. Read more here.
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VELVET is lots of funky fun

Following it’s homecoming last week, VELVET has been the talk of the town. Directed by Craig Ilott, design by James Browne and lighting design by Matt Marshall VELVET is “lot’s of funky fun”. Starring Marcia Hines, a straight-laced, wide-eyed young man (Tom Oliver) arrives at a hedonistic nightclub where he is able to cut loose and discover himself. Read more about the raunchy fun here.
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